In fact, the music is so perfectly chosen and plays such a huge role - as it does in all of Cameron Crowe's movies - that it's as if the former rock music writer burned a CD of his favorite tunes, then found a movie to remake to go along with it. All that confusion would be fine if there were a payoff. Crowe excels, though, at drawing touchingly human portrayals from his actors, and "Vanilla Sky" is no exception. Tom Cruise gives one of his best performances, and Penelope Cruz does her best English-language work in the same role she played in Amenabar's original. Cruise is back in familiar territory here as David Aames, a rich, swaggering playboy who runs the magazine publishing empire he inherited from his father.
Penelope Cruz. One day, while at Sofia's, David wakes up scebe find himself facing Julie, Penelope cruz vanila sky sex scene Weeds tv fanfiction the photos of Sofia's face replaced by Julie's. Vanilla Sky can have very personal meanings to people. But Alejandro Amenbar says "Cameron has all my respect and admiration. They played love rivals in the science fiction, romance and reality warp Vanilla Sky alongside the film's leading man, Tom Cruise 12 years ago. Retrieved December 2, They are both so different it's redundant to undergo a comparison. Curtis McCabe. Even when he removes the mask, vanilx face is disfigured.
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Cruz is also the first Spanish actress to have been honored with a star on the Hollywood Walk of Fame.
- Vanilla Sky is a American science fiction psychological thriller  film directed, written, and co-produced by Cameron Crowe.
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Vanilla Sky is a American science fiction psychological thriller  film directed, written, and co-produced by Cameron Crowe. The film has been described as "an odd mixture of science fiction, romance and reality warp". David Aames, the owner of a large publishing company he inherited from his father, is in prison. Wearing a prosthetic mask, David tells his life story to court psychologist, Dr. Curtis McCabe. In flashbacks, David leaves the duties of the publisher to his father's trusted associates while living as a playboy in Manhattan.
He is introduced to Sofia Serrano by his best friend, Brian Shelby, during a party. David and Sofia spend the night together at Sofia's apartment and fall in love, unaware that David's current lover, Julie Gianni, has followed them there. As David leaves, Julie offers him a ride, and soon reveals her jealousy of Sofia.
She purposely crashes the car, killing herself and drastically disfiguring David. Doctors cannot repair David's face using plastic surgery, forcing him to wear the prosthetic mask around others, causing him to become depressed. Brian convinces David to join him and Sofia at a club, but David ends up drunk and insults the two.
They leave him to wallow in the street outside the club. The next morning, Sofia returns to David, asleep on the street, and apologizes to him.
She takes him home, and over time, helps David emotionally recover. Doctors find a way to surgically repair David's face despite their prior prognosis. While David's life seems perfect, he notices strange oddities, such as brief visions of his distorted face, and a man at a bar who tells David that he could control the world and everyone in it.
One day, while at Sofia's, David wakes up to find himself facing Julie, with all the photos of Sofia's face replaced by Julie's. Out of confusion and shock, he suffocates Julie.
David is arrested and imprisoned, and finds his face no longer reconstructed and he's once again wearing the mask. Seeing a company with that name nearby, McCabe arranges to take David there under guard. The company representative Rebecca explains how Life Extension uses cryonic suspension to save those with terminal illnesses until a cure can be found, keeping them in a lucid dream state to otherwise exercise their mind.
David realizes that he is in his own lucid dream, escapes McCabe and the guards while calling for "tech support", and rushes for the building's lobby, which is suddenly empty. An elevator opens, revealing the strange man from the bar, who invites him in. As the elevator climbs to the top of an impossibly-tall building, the man explains to David he is tech support, and that David has been in suspension for years, starting shortly after the night at the club where Sofia broke up with him.
David opted for Life Extension to be woken when technology could repair his face, and left the publishing company in the hands of his father's associates. As part of the program, David had opted for a lucid dream based on the "vanilla sky" from a Claude Monet painting The Seine at Argenteuil , starting the morning after Sofia's breakup. However, the equipment had merged elements of his subconscious, such as Julie, or McCabe as his father figure, within his dream, forcing them to pull him out of the lucid dream state.
They emerge on the rooftop, high above the clouds. Tech support tells David that while they have fixed his lucid dream, he has a choice of either being put back into the dream, or to be woken up in reality, requiring a literal leap of faith off the roof that will wake him from his sleep. David opts to wake up, despite a vision of McCabe warning him against it. Before jumping, David envisions Brian and Sofia to say his goodbyes. David jumps and his life flashes before his eyes before hitting the ground.
A female voice commands him to "open your eyes", and David opens his eyes. The Blu-ray release offers the option to watch the film with an alternative ending. This ending expands on the details at the end of the film. While it all leads to the same conclusion, there are additional scenes, alternative takes, and alternative dialogue. After Rebecca describes the lucid dream, David rushes out of the room but does not immediately dash towards the elevator.
He meets McCabe in the restroom who tries to convince him that this is all a hoax and a con and that his case is going to trial. David tells him that he's only in his imagination. Much like in the theatrical cut, the Beach Boys' "Good Vibrations" plays, but this version makes it clear that David hears the music and that he chose it; meanwhile McCabe tries to convince him there is no music.
At this point, David dashes out of the restroom for the elevator the way he does in the theatrical cut, but the scene in the lobby is expanded — David shoots the police officer who is firing at him and is then surrounded by a SWAT team whom McCabe tries to talk down, but the SWAT team fires at both of them. They black out and wake up in the emptied lobby where McCabe continues to applaud what he believes is a performance while David gets into the elevator with Ventura and tells him what happened at the end of his real life.
David's interaction with Sofia is extended as he tells her he loves her but can't settle for a dream. He then jumps off the building and screams that he wants to wake up as images from his life flash before his eyes. He wakes up in bed and a voice tells him "Open your eyes. You're going to be fine. Hoping to entice director Cameron Crowe , who previously collaborated with Cruise on Jerry Maguire , Cruise invited Crowe over to his house to view the film.
I've been offered a lot of films to buy and remake, and I never have because I felt it was too connected with the culture of that place, whatever country it was from. But this was a universal story that was still open-ended, that still felt like it needed another chapter to be told. The title of the film is a reference to depictions of skies in certain paintings by Claude Monet. Principal photography for Vanilla Sky began in late and lasted six weeks.
A large section of traffic was blocked off around Times Square while the scene was shot. After filming finished in New York, production moved to Los Angeles , where the remainder of interior shots were completed at Paramount Studios. Despite the film's distorted aspects of reality, the style of cinematography remains grounded for much of the film. Wilson spent nine months working on the film's music, which was done through experimentation of sound collages. We were channeling Brian Wilson to a large extent.
I was recording things through hoses, around corners, playing guitars with cello bows, and with [music editor] Carl Kaller, we tried all kinds of wacky stuff. In the murder—sex scene sound collage, Cameron even used Brian Wilson's speaking voice from a Pet Sounds mix session.
Crowe notes that the presence of "Vanilla Sky" - the morning reunion after the club scene - marks the first lucid dream scene, and that everything that follows is a dream.
Vanilla Sky opened at 1 at the box office in the United States when it was first presented on December 14, Roger Ebert 's printed review of Vanilla Sky awarded the film three out of four stars:. Think it all the way through, and Cameron Crowe's Vanilla Sky is a scrupulously moral picture. It tells the story of a man who has just about everything, thinks he can have it all, is given a means to have whatever he wants, and loses it because—well, maybe because he has a conscience.
Or maybe not. Maybe just because life sucks. Or maybe he only thinks it does. This is the kind of movie you don't want to analyze until you've seen it two times. Ebert interpreted the ending as an explanation for "the mechanism of our confusion", rather than a device that tells "us for sure what actually happened.
Film critic Richard Roeper identified the film as the second best of Crowe into Steven Spielberg territory", but then it says:. One is the quest for eternal life and eternal youth; another is guilt and the ungovernable power of the unconscious mind to undermine science's utopian discoveries.
David's redemption ultimately consists of his coming to grips with his own mortality, but that redemption lacks conviction. Who would have thought that Cameron Crowe had a movie as bad as Vanilla Sky in him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.
Kenneth Turan of the Los Angeles Times called Cameron Diaz "compelling as the embodiment of crazed sensuality"  and The New York Times reviewer said she gives a "ferociously emotional" performance. From Wikipedia, the free encyclopedia. For other uses, see Vanilla Sky disambiguation. Theatrical release poster.
Joe Hutshing Mark Livolsi. I'd always written my own original screenplays, but Open Your Eyes , with its open-ended and impressionistic themes, felt like a great song for our 'band' to cover. Main article: Music from Vanilla Sky. Retrieved December 2, Retrieved August 17, The Miami Herald. Lakeland Ledger. The Tech The Uncool. Paramount Pictures. Local International Cinematographers Guild. August 11, Archived from the original on July 19, International Business Times.
Retrieved February 23, American Cinematographer. The Believer. Retrieved August 16, Box Office Mojo. Retrieved December 16,
Nicky Whelan in Inconceivable 19, Retrieved May 27, David realizes that he is in his own lucid dream, escapes McCabe and the guards while calling for "tech support", and rushes for the building's lobby, which is suddenly empty. Main article: Music from Vanilla Sky. In flashbacks, David leaves the duties of the publisher to his father's trusted associates while living as a playboy in Manhattan. The Miami Herald.
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Vanilla Sky () Starring: Tom Cruise, Penelope Cruz, Cameron Diaz - Three Movie Buffs Review
Memorable moments - it seemed to be what Cameron Crowe had a knack for creating. It also seemed Cameron Crowe could do no wrong on the wave of the success of those films, but then there came a film which, instead of creating memorable moments, everybody seemed to want to forget all about.
It seemed to really rub people up the wrong way upon release. Was this because it wasn't what they were expecting from a Crowe and Cruise team up this was very different from Jerry Maguire? It's not a straightforward remake, it adds layers upon layers to the original, which is a great film in its own right. They are both so different it's redundant to undergo a comparison. But Alejandro Amenbar says "Cameron has all my respect and admiration. Respect, for having plumbed the deepest meaning of the work.
Admiration, for having sought new viewpoints and a fresh approach to the mise-en-scene, giving the film his own unmistakable touch. Vanilla Sky is as true the original spirit as it is irreverent towards its form, and that makes it a courageous, innovative work.
I think I can say that, for me, the projects are like two very special brothers. They have the same concerns, but their personalities are quite different. One of the main elements it shares is the casting of Penelope Cruz, who reprises her role from the original film. The film opens within a nightmare. The first images are bird's eye shots of Manhattan, looking down upon the skyscrapers and Central Park. Cinematographer John Toll makes these distinctive and large scale whilst informing the plot and referencing lead character David Aames' fear of heights.
From these aerial shots, we head towards the Dakota building, the famous home of John Lennon, and the building he was shot outside of in by Mark Chapman. This forms a bookend for the film, as the end credits open with Paul McCartney performing his self penned song inspired by the film's title. There are plenty of moments of synchronicity that run through Vanilla Sky , and sometimes you can be unsure if they were intended or happy accidents.
This not a criticism, it's an aspect of there being so many elements that are stuffed with meaning. Everything In Its Right Place by Radiohead plays on the soundtrack, and everything does seem to be normal. We're in a Tom Cruise movie where he has a charmed life in an ultra stylish apartment, he drives out into New York in his stunning car.
But, there is something wrong. As he approaches Times Square, there is not a person in sight. It's deserted. It's a tremendous achievement to pull off, and looks stunning and incredibly eerie. Tom Cruise running is an iconic image of modern American cinema, but combine that with a deserted Times Square, and the overwhelming influx of culture that surrounds him and you have a perfect distillation of the times.
Is this a man drowning in the culture of the modern world? A man absolutely terrified to be on his own? Whatever the fears that fuel this nightmare, it is a memorable opening, and the troubles for this character are backed up by excerpts of what we believe to be a therapy session.
Pepper , every time you look at it you see something different. A film showing in David Aames' apartment is Sabrina with Audrey Hepburn, which plays a big part in Sofia's character in the film, as does the French New Wave depiction of romance that is seen in the latter half of the movie, referenced in the posters for Jules Et Jim and Breathless on the walls.
The production designer responsible for these was Catherine Hardwicke, who went on to direct Thirteen and Twilight ; this was her penultimate film as a production designer.
The central image on one of the video screens behind Tom Cruise plays a Twilight Zone episode, Shadowplay - an episode from series 2 of the original 's TV anthology show, which concerns a man accused of committing a murder who is adamant that the world around them is his recurring nightmare.
He tries to convince those about to execute him that this is the case. This is probably the first hint, or clue, as to which direction Vanilla Sky will go in. Otherwise the opening of the film seems pretty typical for a Cameron Crowe film. He's re-teaming with Tom Cruise, who plays charm and money really well; he has all the right friends, as referenced in the R.
M song which plays on the soundtrack - even Steven Spielberg turns up in a cameo at his birthday party. Cameron Crowe later returned the favour appearing as a commuter reading a paper in Minority Report. There's banter with Cameron Diaz, and his best friend Jason Lee and then he meets the girl that makes everything stop. It's instant love - as bright and magical as a great pop song. There's typical Cameron Crowe dialogue about life being a mix of the sweet and the sour.
It only takes ten fast paced minutes for the first rug to be pulled from under the audience. The conversation that sounded like it could have been a therapy session is in fact taking place in a cell where Kurt Russell is interviewing Tom Cruise, who is now sporting a blank faced mask and is charged with murder. It's that mask which plays a big role in setting the tone for the movie as a whole. After the 40 minute mark, it plays a prominent role. Forty minutes into the movie a Nancy Wilson penned track that was performed by Cameron Diaz, and credited to her character Julie Gianni, plays.
The track was titled I Fall Apart , and from this moment the film comes off the conventional tracks and explodes into another direction, just as the car that Diaz is driving with Cruise as a passenger veers off a bridge and straight into a wall. It's a haunting static shot, at a distance which allows you time to wonder about the horrific aftermath of that accident. David Aames survives, but is disfigured and hides behind the mask which we have seen in the flash forwards. During a scene that takes place in a club, its haunting quality is brought to the fore.
In fact the barman refuses to see him at first, looking away as he takes his order. I think this really works because of Tom Cruise's involvement, audiences are so used to his face, his big smile, here that is all removed.
Even when he removes the mask, that face is disfigured. These are the first steps for Vanilla Sky entering the territory of a horror film.
The club scene is a precursor for the biggest rug pull of the entire film, which may not be perceptible on first viewing.
After the club scene Sofia runs off, leaving David to collapse onto the sidewalk, defeated. There is another lyrical clue on the soundtrack as the R. M tune Sweetness Follows blasts out.
As morning comes and David wakes up on the street, there are lots of subtle clues that something isn't right. A record scratch, the sound of the needle touching the vinyl, as we fade in from black. A burbling of strange sound, and an odd colour palette. On subsequent viewings you realise this is the moment that David Aames chose to start his lucid dream.
A product from a company that offer Life Extension, a program that lets you dream whilst being cryogenically frozen. From this moment on the film takes place inside David Aames head, and we're drawn back into another of his nightmares. Even knowing where this is heading on subsequent viewings, the second half of the film is quite a ride.
Dialogue hints to what is occurring with characters saying things like "We created our own world together. But when the mysteries start to evolve they become increasingly head scratching. Sofia and Julie change roles, you hear ones voice coming out of the other's mouth, or one character starts impersonating the other one. The timelines start to cross over at this point as well, reaching peak head scratching, 'what is going on' levels. This culminates in a murder scene that is a triumph of editing on all levels.
Specifically sound editing - the mix here is phenomenal. Songs that have featured on the soundtrack fade in and out over glitches, radio noise from spy radio, specifically from the Conet project, numbers are read out in a way reminiscent of The Beatles' Revolution Number 9. These numbers are actually David Aames' patient number. As the film reaches its climax it becomes difficult to discuss Vanilla Sky.
What makes it difficult to discuss is that Vanilla Sky is constructed in such a way that it can mean multiple things to different people. Cameron Crowe even states on the audio commentary that there are four main interpretations of the films ending. One of these is fuelled by a tax disc which has a nonsensical date upon it - 30th February - which led people to read the film in its entirety as being David Aames' dream. Vanilla Sky can have very personal meanings to people.
I loved how it uses our own personal relationship to pop culture to make up the scenes of our life, and the aspects that seep into our dreams and end up defining us. One of the big questions he mentions that he wanted the film to explore was "What is love in a world fuelled by pop culture? Underneath the strangeness, this is still a romantic Cameron Crowe film, albeit one about someone who died over a hundred years ago and someone who is frozen.
My favourite line in the film sums up a lot of my feelings towards it - whilst ascending in the lift to confront his final fear, David Aames says "The little things. There's nothing bigger is there?
It's a sequence to go through frame by frame if you want to go deeper with the film and extract the maximum meaning from it, because it's a film full of little things, clues and moments, and there's nothing bigger. Cameron Crowe, in summing up the film, alludes to the enormity of its focus, saying that he sees the film as "part folk song, part fable, part poem, and partly a committed late night conversation where big ideas flow freely".
Not many Hollywood films have this scale of ambition, combined with a very personal feeling to them. For that alone, Vanilla Sky should be applauded. Sign up for our daily newsletter Newsletter. It's a film with far fewer fans Apr 18, This article contains spoilers for Vanilla Sky. In , Cameron Crowe made the much maligned Vanilla Sky.
Vanilla Sky. Tom Cruise. Penelope Cruz. Cameron Diaz. Cameron Crowe.